April, 2026

 

A New Series Takes Shape
Carved from the language of place, our new spheres are inspired by the quiet poetry of landscape as viewed from above.

Like gazing from an airplane window, watching the earth unfold beneath you…ridgelines, valleys, and contours are revealed in soft repetition.

Each piece holds that perspective: a memory of landscape translated into form. 

Photos by: @mandysheen.photography

March, 2026

Lath Bench
Passing Through – The bench began as a tree on the wet coast of British Columbia, where fog drifts in from the Pacific and settles quietly into the forest. It was Nootka Cypress, a tree shaped by rain, wind, and salt air – growing slowly, patiently, gathering the character of the landscape around it.

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The bench emerged as a series of flowing laths – thin, graceful lengths of wood that curve and sweep like a current. Each line bends gently, not rigidly, as if remembering the way the tree once moved in the forest canopy. There is rhythm in the spacing, a quiet cadence that repeats along the form.

It is a bench, yes – but it is also a passage.

Light moves through it first. In the morning, the sun slips between the laths and scatters delicate lines across the ground. By afternoon, shadows stretch and braid themselves beneath it. The bench never casts a single shape; it breathes with the day.

Wind follows. It passes easily through the open structure, carrying the scent of cedar forests and ocean air. Rain arrives next – beading on the smooth grain before slipping quietly through the spaces below, returning to the earth.

Nothing is held. Nothing is trapped. It is a place to sit – and a place where the world continues to pass through.

March, 2026